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You Can't Just Have Ryan Reynolds Punch Up A Boring FilmĪs we already said, though, that was a stroke of devious luck on the filmmakers part. It was a project with a clear vision from the ground up.
THE HITMANS BODYGUARD LEAKED ON NETFLIX? MOVIE
That movie may have been following the superhero formula, but every scene was written with a joke in mind - the first act is entirely breakneck - and so had a constant fun energy even when dealing with the sadistic Francis. And this is where we can really compare and contrast to Deadpool. They may be funny enough, yet they don't build to anything greater or really alter the oppressive tone of the main Oldman dictator plot. Reynolds and Jackson are both the funny guy, so have to take it in turns being the straight one - and oddly enough Ryan gets the brunt of it, at points feeling like the Hitman's Babysitter - and as effective as comedy scenes like Bryce regarding his love-hate mission with Kincaid like a romantic relationship are, they're sparse and unrelated to the main story.Įverything comes back to grafting jokes onto an unrelated, otherwise serious screenplay. The problem is that none of the characters feel rounded or integrated into the plot. Regardless, within that you have silly moments aplenty Reynolds complaining about vomit in his car or Salma Hayek (playing the wife of 18-years-her-senior Jackson) as an unhinged, romantically-obsessed prison inmate. We've not read the Black List script but imagine there was originally a bit more verve. You could definitely call it timely (although it's really just another 80s relic plot) but it's also incredibly stilted and rather uninspired black comedy this ain't. That's right, it's a film about genocide and a small nation trying to bring down the entirety of Western civilization. The main plot involves triple-A protection agent Reynolds' Bryce having to escort sniper Jackson's Kincaid from Coventry, England where he's been held in prison, to The Hague in The Netherlands so he can testify against Gary Oldman's Eastern European dictator. The weirdest thing about Patrick Hughes' film, marketed as an action-comedy, is how dark it is. The best way to describe The Hitman's Bodyguard is as an 80s buddy cop movie dragged into the modern day and soaked in all the over-aware humor that entails. The Hitman's Bodyguard is Too Dark To Be A ComedyĪnd while there are some great moments for Reynolds and sparring partner (verbally and physically) Samuel L. Indeed, the script (which had been circling studios for several years) was rewritten two weeks before filming to turn what was initially a straight drama into something approaching a comedy they wanted to ride the soon-to-crest Wave Wilson. Now, technically the film was shot before the Merc with a Mouth hit cinemas, but its November 2015 start date was in close enough proximity to have had a clear influence.
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The first real post-Deadpool outing for the actor is The Hitman's Bodyguard. Once Hollywood's pretty boy, this showed the true weirdo lurking beneath that chiseled visage and you can bet he'll never be the same again. However, this doesn't totally upset the movie almost entirely thanks to Reynolds charisma. If we're being honest, Deadpool does have a problem with mistaking irreverence for subversiveness, never quite being as smart or different as it thinks it is. Between his social media presence and the finished film, he is Deadpool, with a completely unhinged performance that dominates the movie and directly accounts for all of those previous success points. His behind-the-scenes impact can't be understated he was the driving force for the project when it sat in the rubble of X-Men Origins: Wolverine and kept pushing despite Fox's reluctance ( he totally leaked the test footage, or at least 100% knew who did) and led a completely off-kilter viral campaign. There were a lot of reasons for Deadpool's unprecedented success - it was a hard-R gore and swear fest at a time when superheroes were feeling homogenous, it poked fun at the genre's tropes without swerving too far into the unfamiliar, there was an obvious creative drive behind its action and comedy - but the biggest of them has to be Reynolds himself. The Hitman's Bodyguard may have Ryan Reynolds in yet another snarky action-comedy hero role, but rather than seeing him carve out a new "type" in the wake of Deadpool, it really only serves to exemplify how badly his mutant sleeper hit could have gone.